Alison M. Gingeras is a curator and writer based in New York and Warsaw. 

Gingeras has served as curator at the Solomon R. Guggenheim Museum, the National Museum of Modern Art, Centre Pompidou Paris, and Palazzo Grassi, Venice.  Currently she serves as an adjunct curator at Dallas Contemporary and a guest curator at Museum of Contemporary Art in Miami in addition to working independently.

Known for her scholarly yet anarchic approach to art history, Gingeras organized several groundbreaking exhibitions, such as “Dear Painter, Paint Me: Painting the Figure Since Late Picabia” at the Centre Pompidou, Paris (2002) and co-curated “Pop Life” at the Tate Modern (2009).  Most recently, she curated “My Life as a Man: John Currin” at Dallas Contemporary and “New Images of Man” at Blum & Poe in Los Angeles (Feb-March 2020).

Her writing regularly appears in such periodicals as Artforum, Playboy, Tate Etc., Spike, as well as in scores of books and exhibition catalogues.  The cult imprint Heinzfeller Nileisist recently published Totally My Ass and Other Esssays—an anthology of Gingeras’ writing.