BIBLIOGRAPHY

From Suck to Weird Fucks: Dissident Feminisms in the Golden Age of Porn” Document Journal, FW 18.

“Portrait: Gran Fury - Art is Not Enough” co-written with Jamieson Webster , Spike Magazine, #57 Fall 2018.

“Oedipus Sex: The Scent of Saint Phalle,” in Niki de Saint Phalle: Here Everything is Possible (Mons: Beaux-Arts Mons, 2018.

“Dear Rose Wylie,” in Rose Wylie: Hullo, Hullo (Málaga: CAC Málaga) 2018.

“Communal Fantasy, Radical Dis-identification and Revisiting Otto Mühl in the Age of #MeToo.” Spike Magazine, #56 Summer 2018.

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"Male Studies: A Manifesto for Jordan Wolfson" co-authored with Jamieson Webster in Jordan Wolfson: Manic / Love / Truth / Love (New York: Rizzoli Electa) 2017

"Community Business: The Gentrification of Loss" Spike Magazine (April 3 2018)

"La Toya Ruby Frazier at Gavin Brown's Enterprise" Spike Magazine (#55 Spring 2018)

"Picturing Blarney: Notes on the Irishness of Narrative in the work of Genieve Figgis" in Genieve Figgis (New York: Skira Rizzoli) 2017

"Chiara Fumai and the Dead Feminist Society" Affadavit (December 4 2017)

"Venus Envy" Frieze Week (October 2017)

"Feminism's Naked Truth" Harpers Bazaar Japan (November 2017)

"McDermott & McGough: Unsung Heroes of Queer Art History" Gayletter (Issue 6 2017)

"Pitié Pour La Viande" White Zinfandel (S/S No. 7 2017)

The Avant-Garde Won’t Give Up: Cobra and Its Legacy (New York and London: Prestel and Blum & Poe) 2016

"The Wrongest Figure" in Bernard Buffet (Paris: Paris Musées) 2016

"L'art Chez Les Fous" in Bjarne Melgaard: Psychopathological Notebook (New York: Karma) 2016

"Asger Jorn meet Mark Flood: From Denmark's Intimate Banalities to Houston's Culturcide" in Mark Flood: Gratest Hits (Houston, TX: Contemporary Arts Museum Houston) 2016

"Fresh Kills" in Eddie Martinez: Salmon Eye (New York: Mitchell-Innes & Nash) 2016

"Un Homme de Gauche" in Martial Raysse (Venice: Marsilio Editori) 2015

“CPLY: Story of a Bad Boy” in William Copley (Houston and Milan: DeMenil Collection and Prada Foundation) 2016

“Black Sheep Feminists” ArtNews (June 2015)

Karel Appel (New York: Blum & Poe) 2015

“Francesca Woodman: Another Almost Square, A Fashion Photograph” in Francesca Woodman (New York: Marian Goodman Gallery) 2015 

“An Extreme Figure” Julian Schnabel (Greenwich, CT: The Brant Foundation) 2015

"Women's Studies" Ella Krugylanskaya (London: Koenig Books and Studio Voltaire) 2014

“The Art of Leadership: George W. Bush,” Mousse ( Issue 44 2014)

“For Real: Friedrich Kunath” Artforum (March 2014)

“Instant Classic: Jeff Koons” Artforum (September 2013)

Carroll Dunham: Bathers Trees (New York and Cologne: Gladstone Gallery and Walter Koning) 2013

Martial Raysse (New York: Luxembourg & Dayan) 2013

“Franz West in memorium” Artforum (September 2012)

Alex Katz: A Class of his Own (London: Tate Publications) 2012

Rob Pruitt: Autograph Collection (London and New York: Karma and Luxembourg & Dayan) 2012

Pressed Release: Notes on Mark Flood’s Hateful Years (New York: Luxembourg & Dayan) 2012

Grisaille (New York: Luxembourg & Dayan) 2011

Jeff Koons: Made in Heaven (New York: Luxembourg & Dayan) 2010

Pop Life: Art in a Material World (London: Tate) 2010

Mapping the Studio (Venice: Punta della Dogana) 2009

Where Are We Going? (Venice: Palazzo Grassi) 2007

John Currin (New York: Rizzoli) 2006 

Guy Bourdin (London: Phaidon), 2006 Monograph

“Surrili” Fischli and Weiss (London and Zurich: Tate Modern and Kunsthaus Zurich, 2006)

“Painting, Power and Propaganda: An interview with Michael Raedecker” Michael Raedecker: Show (Zurich: Scalo) 2005

“The Legacy of Martin Kippenberger” Tate, Etc. (Winter 2005)

“Top Ten” Artforum (December 2005)

“Nate Lowman’s Americana” Piktogram (September 2005)

“Stealing the Show: Venice Biennale 2005” Artforum (September 2005)

“The Mnemonic Function of the Painted Image” The Triumph of Painting, Part 2(London and Koln: Walther Koenig/Saatchi Gallery) 2005

Martin Kippenberger: Lieber Maler, male mir (London and New Haven: Gagosian Gallery) 2005

“Kippenbergiana: Avant Garde Sign Value in Contemporary Painting” The Triumph of Painting (London: Saatchi Gallery/Random House) 2005

“Who is Daniel Buren?” Daniel Buren: The Eye of the Storm (New York: Solomon R. Guggenheim) 2005

“Openings: Roberto Cuoghi” Artforum (Summer 2005)

“Purple News” Purple Fashion (Spring/Summer 2005)

“Interview with Ashley Bickerton” Purple Fashion (Spring/Summer 2005)

“Richard Prince’s Second House,” Parkett, (January 2005)

“First Take: Richard Hughes” Artforum (January 2005)

“Guilty” Glenn Brown (London: Serpentine Gallery) 2004

“Top Ten,” Artforum (December 2004)

“Martin Kippenberger: Performing the Self” Artforum (Special Issue, “Pop After Pop,” October 2004)

“Post-Pop: A Roundtable Discussion with Jack Bankowsky, Tom Crow, Dietrich Deitrichsen, Alison Gingeras, Tim Griffin, Ronda Lieberman, Steven Prina and Jeff Wall” Artforum (Special Issue, “Pop After Pop,” October 2004)

“My Pop, interviews with Gelatin, Urs Fischer and Rob Pruitt” Artforum (Special Issue, “Pop After Pop,” October 2004)

“Painting without Canvas/Sculpting with Paint” Contemporary (Special Sculpture Issue, Summer 2004)

“The Lives of the Artists: Public Persona as an Artistic Medium” Tate, Etc. (Summer 2004)

“Openings: Hobbypop” Artforum (April 2004)

Interview with Thomas Hirschhorn, Thomas Hirschhorn (London : Phaidon) 2004

“The Birth of Crass: Artist, Persona and Strategy” Monument to Now (Athens and New York: Deste Foundation) 2004

Kristin Baker (Paris: Editions Centre Pompidou) 2004

“Pop, Post-Pop, Euro-pop and Eurotrash: Some notes on the Divergence of the “Post-Pop” Legacy in Europe.” Tresors Publics (Paris: Flammarion, 2003)

“Six Constructions: An imaginary dialogue” Martin Szekely (Paris: Editions Images Modernes / Editions Kreo) 2003

“Just My Rifle, Pony and Me” Georg Baselitz (London: Gagosian Gallery) 2003

“The Economist” Alex Katz (Paris & Salzburg: Galerie Thaddeus Ropac) 2003

“Openings: Urs Fischer” Artforum (May 2003)

“Daniel Buren”, Parkett no.66 (2003)

Vitamin P: Contemporary Painting short essays on: John Currin, Michel Majerus, Elizabeth Peyton, Rob Pruitt, Michael Raedeker, Neo Rauch,  Luc Tuymans, (London: Phaidon) 2002

“Daniel Buren : Mode d’Emploi”, Daniel Buren : Mot à mot, )Paris : Editions La Martinière, Editions Centre Pompidou, Editions Xavier Barral) 2002 (Author and Editor)

Cher Peintre, Dear Painter, Lieber Maler…(Exhibition Catalogue), (Paris and Vienna : Editions du Centre Pompidou & Kunsthalle Wien) 2002 (Author and Editor, English, French and German language editions)

“Painting on the Move” Artforum (November 2002)

“Documenta Inquiry” Parkett no. 64 (2002)

Net.Art Columnist & Editorial Direction, Cahiers du Cinéma, Editions de l’etoile (from 2001-2002)

“Rob Pruitt : Le Pouvoir du Panda”, Vogue, Paris (October 2002)

Peter Friedl’s Use Of Genre: A Battle between “Form Versus Context” Peter Friedl. (Frankfurt: Revolver) 2001

“Don’t Take it Lying Down: Franz West, the Laconic and the Question of Reception” Franz West: Merciless (Exhibition Catalogue) (Vienna: MAK) 2001

“Michael Jackson and Bubbles” Jeff Koons, (New York: Sotheby’s Catalogues) 2001

“The Comeback of Sincerity: Jeff Koons 1995-2001” Jeff Koons (Exhibition Catalogue) Bregenz, 2001

The Approximative, (Exhibition Catalogue), with texts on Ginny Bishton, Jeremy Blake, Luke Dowd, Heidi Kidon, Petrea Frid, Michael Lazurus, Roman Pellas, Sam Prekop, Ruth Root, Amy Sillman. (Author and Editor in Collaboration with Meghan Dailey) (Paris: Galerie Ghislaine Huessnot) 2001

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“Pierre Huyghe: Some notes on art making in the age of entertainment” Art Press (June 2001)

“Xavier Veilhan’s Subtraction Machine” Xavier Veilhan. (Exhibition Catalogue) (Grenoble: Le Magasin) 2000

“Au Dela du Spectacle” (interview with Philippe Vergne and Bernard Blistène), Au Dela du Spectacle (Exhibition Catalogue) (Paris : Centre Pompidou) 2000

“Queering the Cube: Michael Elmgreen and Ingar Dragset” Hugo Boss Prize 2000 (Exhibition Catalogue) (New York: Solomon R. Guggenheim Museum) 2000

“Concept of the Figure: Conjectures on Conceptual Uses of Figurative Realism“ Art Press, pp28-36, (December 2000)

“The Art of Speculation: Investing in Intellectual Capital with ®TMARK“ Cahiers du Cinema.com, (December 2000)

“Making Internet History (Or sugesting Its Antidote) “. Cahiers du Cinema.com, (November 2000)

 “Kurt Kauper “, Art Press, (Septembre 2000)

“A Sociology without Truth : Maurizio Cattelan “ Parkett, no. 59 (2000)

“Alison Gingeras talks with Meghan Dailey about the « Limits of Art »“, Art Unlimited (numero special de Beaux-Arts Magazine et Art Basel, (Juin 2000)

“Beyond Child’s Play : Trauma and Transgression in the work of Paul McCarthy” Art Unlimited (numero special de Beaux-Arts Magazine et Art Basel, (Juin 2000)

“La Beaute selon Kapoor et Chalayan (interview)“, Beaux-Arts Magazine, (Mai 2000)

 “Minimalia : An Italian Vision in Twentieth Century Art”, Art Press, (Fevrier 2000)

“Jeff Koons : Easyfun ”, Art Press, (Fevrier 2000)

“M/M French Landscape Design 1.0.”, Guggenheim Magazine, (Hiver 2000)

“Breaking the Codes” in Thomas Hirschhorn : Flugplatz Welt/World Airport (Exhibition Catalogue) (Venice: Biennale de Venice) 1999

“Friends & Enemies : Young New York Artist-Run Space “ Art Press, (Décembre 1999)

“Sarah Sze”, Beaux-Arts Magazine, (Décembre 1999)

“Laboratorium“ Art Press, (Décembre 1999)

“Cheap Tricks : Thomas Hirschhorn’s Transvaluation Machine“ Parkett, no. 57 (Décembre 1999)

“Deadpan: adjective or strategy”, in NOVODO :Le Journal des Concepts de Poche Paris, Presses de l’Ecole Normale Supérieure, (Été 1999)

“L’historiographie en question – Entretien avec Sande Cohen”, Art Press, (Mai 1999)

Premises: Invested Spaces in Visual Arts, Architecture, & Design from France, 1958-98 (Exhibition Catalogue), (New York: Guggenheim Museum) 1998

Thomas Hirschhorn (Exhibition Catalogue), (London: Chisenhale Gallery), 1998

“Striving to be Stupid/Grâce à la Bêtise– Entretien avec Thomas Hirschhorn”, Art Press, (Septembre 1998)

“This is not an Exhibition of French Art – Entretien avec Bernard Blistène, Alison Gingeras, and Alain Guiheux”, Art Press, (Septembre 1998)

“French Touch   – Entretien avec Bernard Blistène, Alison Gingeras, and Alain Guiheux”, Beaux-Arts, (Août 1998)

"Border Arts Workshop/Taller de Arte Fronterizo, San Diego Border Realities VII: Culture is Non-Negotiable; Broken Promises", Art Papers, (Mai-Juin 1995)